Culture Sower
Culture 菌整理编辑，版权为艺术家本人所有
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Trajectory through the Sun Exhalation #2, Mixed Media on Paper 22 × 30 in | 55.9 × 76.2 cm 2000
丽塔·阿尔伯克基
Lita Albuquerque
Untitled (LA2019.51), Pigment on Panel, Pigment on Resin 24×24 in | 61×61cm 2019
Untitled, Gold Leaf on Resin, Pigment on Panel 16 × 16 in | 40.6 × 40.6 cm 2023
Untitled (LA2023.08), Gold Leaf on Resin, Pigment on Panel 24 × 24 in | 61 × 61cm 2023
Untitled (LA2023.09), Gold Leaf on Resin, Pigment on Panel 60×60 in | 152.4×152.4 cm 2023
Untitled (LA2022.13), Gold Leaf on Resin, Pigment on Panel 60 × 60 in | 152.4 × 152.4 cm 2022
Untitled (LA2023.07), White Gold Leaf on Resin, Pigment on Panel 24 × 24 in | 61 × 61 cm 2023
Wave of the Breath, Mixed media 120 ×120 in | 304.8 ×304.8 cm 1989
丽塔·阿尔伯克基
Lita Albuquerque
美国，1946年生
American, b. 1946
Light and Space artist Lita Albuquerque has been investigating our place in the universe through installations, environmental works, paintings, and sculpture throughout her critically acclaimed career. She emerged in the 1970s, a student of Robert Irwin’s. In her early works, she marked the California desert with colored pigment, mapping both the earthly and celestial terrain, a practice she has since brought to sites worldwide. Among her best-known projects is Sol Star (1996), for which she marked the desert south of the Great Pyramids of Giza with blue circles, each one associated with a star. Albuquerque’s work is centered upon scale, and our smallness in an infinite cosmos. “I was interested in that impossibility of vision,” she explains, “being able to perceive only what is around us, yet aware that […] what we are perceiving is only part of a much larger vision.”
作为”光与空间”艺术运动的代表人物，丽塔·阿尔伯克基在其广受赞誉的艺术生涯中，始终通过装置、地景艺术、绘画与雕塑探究人类在宇宙中的位置。她于1970年代崭露头角，师从罗伯特·欧文。早期作品中，她以彩色颜料标记加州沙漠，绘制地球与星空的对应图谱，这一创作方法后来被拓展至全球多地。其最著名的《太阳之星》（1996）项目，用蓝色圆环标记吉萨大金字塔南部的沙漠，每个圆环对应一颗星辰。阿尔伯克基的作品始终围绕尺度概念展开，揭示无限宇宙中人类的渺小。”我着迷于视觉的局限性，”她解释道，”我们只能感知周遭事物，却清醒意识到[…]所见不过是宏大图景的碎片。”
排版：Culture菌
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